First, let me take a moment to welcome my Wing’s World readers who have done me the honor of subscribing, now that I have left the Facebook community. As I posted on FB before deleting, no judgement for those who stay! I have mixed feelings about leaving, and goodness knows, I’m fully invested in Google products, Amazon services, and all kinds of other playgrounds of unsavory billionaires. Aren’t we all just doing our best?
So what was that about bird quilts? Do you mean cute little sparrow-sized comforters? Something to tuck around your favorite hen? Or do you mean…
Ah. THAT’s what you mean. (Quilt by Phyllis Cullen)
This cormorant by Caryl Fallert-Gentry stopped me in my tracks–how is this not a photo??
Because I was at the museum chiefly to see the Red Dress, and because I had a ferry to catch, I had to flit from bird to bird, snapping photos to study later. But thanks to the wonderful technology of “zoom-in,” we really CAN do just that, appreciating the detail, the genius of the work almost as well as in person.
Go ahead: zoom in!
Who, who, who made this quilt? Unfortunately I was so excited to take its picture, I missed the creator’s name. Sorry, O Talented One!
But I am inspired. Not so much to get back to the ol’ sewing machine (got too much else going on right now), but inspired by plain old beauty. Imagination. Discipline. Bird love. All the things you see when you zoom into…
…this folk-art piece by Garnet Templin-Inei, for example.
Or this whimsical, 3D depiction of a swooping eagle, using natural, gathered materials:
Lookout, ducks–DUCK! Perimeter includes mammalian jawbone and some kind of antler. (once again, my apologies for missing the artist’s name)
These are bleak days. You don’t need me to tell you that. But you might need me to show you a gorgeous, cheerful quilt-full of finches. Because ESPECIALLY these days, we all need every last ounce of inspiration, beauty and joy we can absorb.
Once again–apologies to the unnamed artist! I really did get too excited taking photos. Sorry.
I’ll be traveling for the next 3 weeks, WITHOUT my computer. So please, pile on the comments so I can read them before I go, and when I get back, Wing’s World will go back into travel-blog mode.
Till then, be well, zoom in, be inspired! And thank you for visiting Wing’s World.
I read the article (by Ava Ronning, reprinted from The Skagit Valley Herald). And I had to go see it for myself.
Overwhelming. And that’s only at first glance.
The museum itself is housed in a breathtaking old dwelling on a hill overlooking the Swinomish Channel. I was so excited about the exhibit I forgot to photograph the museum, so here’s a shot I stole from their website:
Photo by Wendell Hendershott
The dress occupies one small room…and I mean occupies. It fills the space, drawing you in to examine every fold, every flounce.
The border is the only part embroidered by machine, commissioned by the dress’s creator
And that’s before you watch the video in the next room, which unpacks the dress’s stories (in part–there are too many for a 12-minute video). That’s where I learned that the white doves on this panel, sewn by survivors of the Kosovo war, represent their longing for peace.
Notice the contrast with the colorful images from (I think) Rwanda. Two communities of survivors, side by side on the dress: white and color; same medium, same message.
The Red Dress Project began with UK artist Kirstie MacLeod, as the website says, “as a sketch on the back of a napkin in 2009.” Since then, it “has grown into a global collaborative project involving and connecting with thousands of people all over the world.”
Through the video, I learned the story of this small piece from an artisan in Colombia. She started with traditional symbols–hibiscus, toucán–but after being shaken by a bombing in Bogotá, she added this word in English:
She could have written “esperanza,” but she preferred to make her message more universal.
The same word appears in a section from…somewhere else in the world:
The video didn’t say where. But how many places it could be from!
The website tells you right off how many women have been involved in its creation: 380. From 51 countries. If you dig around on the site, you will also learn that the dress weighs 6.8 kilos–that’s just under 15 pounds. (I actually thought it might be heavier–there are beads stitched on there!)
like this bit from India
The website goes on to explain,
Initially the project sought to generate a dialogue of identity through embroidery, uniting people around the world across borders and boundaries. However, over the 14 years it was created, The Red Dress also become a platform for self-expression and an opportunity for, often marginalised, voices to be amplified and heard, initiating vital dialogues on important and frequently uncomfortable issues.
A panel from Chiapas, Mexico. This section of the video was one of the most moving.
The website estimates the number of stitches in the dress from one to 1.5 billion. It reports: “Some of the artisans are rebuilding their lives with the help of embroidery, using their skills or being trained in embroidery to earn a consistent living to support themselves and their communities.”
In other words, these women are paid for their work. From the video, I learned that 50 Bedouin women had been able to achieve financial independence from the embroidery work the Red Dress Project engendered.
This one’s from Japan, not Egypt. I didn’t learn its story.
The most heartening part of the video is where creator Macleod explains, “The importance has shifted from the dress as an art piece to the creators of the dress.” One country at a time, she is traveling with the dress to allow each embroiderer to see (and in some cases wear!) the entire dress, in most cases for the first time. Seeing that wonder on the face of the 19 year-old artisan in Mexico choked me up.
Macleod herself stitched the web on the back of the bodice, representing connection.
Speaking of choking up: this image from Ukraine: their national colors expressed in a flower:
May it be so
Only after leaving the exhibit did it occur to me to consider the word “redress”: it means, “to remedy or set right (an undesirable or unfair situation).” As Kirstie Macleod says, in the video, “The voices of the women are just crying out to be heard.”
And in an era of increasing division, borders, walls, aggression and suspicion, this dress is a community object “without prejudice, without boundaries, without borders…”
So many stories to absorb. So much solidarity to learn from.
So, you want to see the dress yourself? Here’s how.
According to the website, after its La Conner visit (La Conner! Not Los Angeles! That still blows me away), the dress will travel back to the UK, and thence to Asia and Australia.
modest little La Conner, and the Swinomish Reservation on the opposite side of the channel
So unless you can go to those places, here’s what I recommend. Go to the website. Watch the video (under “Media”). Then use their really cool Digital Red Dress tool for a DIY tour: https://reddressembroidery.com/DIGITAL-RED-DRESS
If you’re really bold and/or inspired, Ms. Macleod invites you to reach out to her directly: “Kirstie is able to offer events and presentations with/without the Red Dress tailored to your group/community. Please email her for more info on: reddressembroidery@gmail.com”
That wonderful museum in La Conner is also showing a breathtaking exhibit of bird quilts. I was going to append some of those photos to this post, but you know what? The Dress and the birds deserve their own space. So I’ll save the birds for later.
Go see The Red Dress, in whatever medium you can. And then tell me your favorite part about the experience, eh? It’s all about that web.
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