“Stand-up Tragedy”: When Coping Mechanisms Become Calls to Action

I’m not a particularly gifted comedian, but comedy plays a big role in the life I’ve made with my Mate. We like to say Jon Stewart pretty much raised our children. I know he got us through the Dubya Bush years, especially after the invasion of Iraq. When the Daily Show theme music came on, we’d yell, “Hey boys, Funny People!” and the boys would come running.

Since the election of 2016, I’ve leaned hard on Stephen Colbert and Trevor Noah to remind myself that I’m not the only one who feels like my country’s turning back 100 years. But since the death of George Floyd, like the comedians themselves, I’m finding more solace in bitterness.

Isn’t that a contradiction? No–not when the bitterness is shared, and focused.

This morning’s New York Times article about Richard Pryor, by Jason Zinoman, put it best. After moving on to discuss Pryor’s legacy among Black comics, including SNL’s Michael Che and The Daily Show’s Roy Wood Jr., Zinoman focuses on Dave Chappelle, and coins the perfect phrase:

Over the past few decades, Chappelle has repeatedly made comedy from the pain of police brutality, but what stood out about his recent set was how his typically grave tone didn’t pivot to a joke, how often he let his unfiltered outrage sit there…Chappelle went long stretches without jokes, producing a kind of stand-up tragedy. When he asked what the police officer whose knee was on the neck of George Floyd could be thinking, he spoke with a righteous anger that comedy could not address. There are limits to what a joke can do.

Stand-up tragedy. YES. That is what feeds my soul these days: someone standing up, literally, and calling out what happened and what it means. Here is Trevor Noah, his first workday after the death of Rayshard Brooks:

Trevor isn’t telling me what to do. But when this professional funny person, this man whose impish dimple has brought me so much joy over the past five years, looks me in the eye and speaks his bitter truth, I feel called up. Which is how I want to feel right now.

It’s even more (bizarrely) comforting to hear comedians call other people out–people not like me, whom I wouldn’t have the right to criticize. Here’s Hasan Minhaj, from his show Patriot Act, calling out his fellow immigrants from Asia and the Middle East:

There are some speakers, like Killer Mike and Kimberly Jones, whose words are pure bitterness and zero comedy–no less brilliant and even more gripping–and I’ll probably focus on them another time.

Right now I want to give a huge shout-out to those “Funny People” whose wit and wisdom is fueling me these days–and hopefully you too. Please share others!

John Oliver, Edward Snowden, and Us: Why Does a Brit Seem to Care More About American Freedoms Than We Americans Do?

Quick: Turn to someone near you and tell them who Edward Snowden is and why he matters to Americans.

If you’re like the folks Comedy Central’s John Oliver interviewed on the streets of Manhattan, you will either a) draw a blank or b) confuse Snowden with Julian Assange, the “Wikileaks Guy.”

Hopefully you’re not like those folks. But if you suspect you might be, watch this breathtaking interview conducted in Moscow with what Oliver calls “America’s most famous patriot and/or traitor.” When I say breathtaking, I mean that literally: breathtakingly bold, breathtakingly honest. Oliver asks Snowden the questions most of us would want to ask.

But in so doing, he also turns the camera on us, in effect asking Americans, “Why don’t you care more about the real effects of the Patriot Act? Why don’t you care more that your government has been proven to have the capacity to spy on you?”

A quick warning, before you watch this episode from Oliver’s “Last Week Tonight”: if you’re offended by casual profanity and excessive references to male body parts–don’t. This ain’t the New York Times, remember–it’s Comedy Central.

But in my opinion, it still deserves a Peabody Award.

So, you watched? Is John Oliver brilliant or what? Tell me what you think.