“Stand-up Tragedy”: When Coping Mechanisms Become Calls to Action

I’m not a particularly gifted comedian, but comedy plays a big role in the life I’ve made with my Mate. We like to say Jon Stewart pretty much raised our children. I know he got us through the Dubya Bush years, especially after the invasion of Iraq. When the Daily Show theme music came on, we’d yell, “Hey boys, Funny People!” and the boys would come running.

Since the election of 2016, I’ve leaned hard on Stephen Colbert and Trevor Noah to remind myself that I’m not the only one who feels like my country’s turning back 100 years. But since the death of George Floyd, like the comedians themselves, I’m finding more solace in bitterness.

Isn’t that a contradiction? No–not when the bitterness is shared, and focused.

This morning’s New York Times article about Richard Pryor, by Jason Zinoman, put it best. After moving on to discuss Pryor’s legacy among Black comics, including SNL’s Michael Che and The Daily Show’s Roy Wood Jr., Zinoman focuses on Dave Chappelle, and coins the perfect phrase:

Over the past few decades, Chappelle has repeatedly made comedy from the pain of police brutality, but what stood out about his recent set was how his typically grave tone didn’t pivot to a joke, how often he let his unfiltered outrage sit there…Chappelle went long stretches without jokes, producing a kind of stand-up tragedy. When he asked what the police officer whose knee was on the neck of George Floyd could be thinking, he spoke with a righteous anger that comedy could not address. There are limits to what a joke can do.

Stand-up tragedy. YES. That is what feeds my soul these days: someone standing up, literally, and calling out what happened and what it means. Here is Trevor Noah, his first workday after the death of Rayshard Brooks:

Trevor isn’t telling me what to do. But when this professional funny person, this man whose impish dimple has brought me so much joy over the past five years, looks me in the eye and speaks his bitter truth, I feel called up. Which is how I want to feel right now.

It’s even more (bizarrely) comforting to hear comedians call other people out–people not like me, whom I wouldn’t have the right to criticize. Here’s Hasan Minhaj, from his show Patriot Act, calling out his fellow immigrants from Asia and the Middle East:

There are some speakers, like Killer Mike and Kimberly Jones, whose words are pure bitterness and zero comedy–no less brilliant and even more gripping–and I’ll probably focus on them another time.

Right now I want to give a huge shout-out to those “Funny People” whose wit and wisdom is fueling me these days–and hopefully you too. Please share others!

Trevor Noah’s Born a Crime: Why I Have To Say “Relatable”

Bias Alert: 

  1. Like most English teachers, I shudder at the newly-developing word, “relatable.”
  2. My family and I LOVE the Daily Show; Jon Stewart practically raised our children.

So you might not think we’d love his replacement, Trevor Noah. But you’d think wrong. We loved Trevor from the beginning (forgiving him his occasionally juvenile humor the same way we forgave Jon his old-Jewish-guy schtick).

And now that I’ve read Trevor’s memoir, Born a Crime, I admire him on a whole new levelAnd I admire his mother more.

I only wish I had finished Trevor’s book before Christmas, so I could have given it to everyone I love. I don’t want to tell you too much about it; the book is comprised of anecdotes, to divulge any of which would spoil your joy in reading.

But I will tell you this. Although Trevor claims a different nationality, gender and race (OK, half different–but in South Africa that MEANS different) from mine, I found his story more…RELATABLE than anything I’ve read in the past year. He doesn’t just write of racial injustice–though there’s plenty of that, growing up in the last days of apartheid. He writes of topics I, privileged white American female, RELATE to:

  • adolescent yearnings to belong
  • a complex relationship with religion
  • self-consciousness over appearance
  • heartbreak (over the opposite sex, pets, family members)
  • joy in his own gifts (languages, foot speed–and you’ll see why that’s important!)
  • deep, unshakable love for his AMAZING mother

The book is also really stinkin’ funny, but that’s something I simply appreciate rather than relate to, because, alas, I am not so gifted.

And it’s shockingly sad. Something else I, thanks be, cannot relate to. But Trevor makes his family’s sadness ACCESSIBLE, and that’s close enough. Also–“accessible” is a real word.

Have you read it? Please add your review here. If not, do yourself or someone you love a favor and read Born a Crime as soon as you can.