Parents Gone Feral: Peter and Martha’s Excellent Aldabra Adventure

Having colorful parents who raised you and your siblings in unorthodox ways is considered, these days, a piece of literary luck. Hey, look at you—you have memoir material! (Thinking Jeanette Walls’ Glass Castle, Tara Westover’s Educated, or, casting farther back, My Family and Other Animals by Gerald Durrell—which my own father read aloud to us.)

Don’t worry, this isn’t a pitch to buy my memoir; I’m not writing one. But if I did, the Aldabra Winter would fill a good chapter. And since it really is a good stand-alone story, what better place to share it?

I’ve blogged about my marathoning, Civil Rights activist, lemur-studying, poetry-writing, horse-riding, Quaker school-founding—oh, heck, colorful parents before. But I’ve never written about the Aldabra Winter of 1976-77, when my parents abandoned my sister and me for ten weeks to disappear into the Indian Ocean.

Okay, that was unnecessary drama. I just enjoy thinking of the story that way. In reality, I was 15, my sister was 17 (with the all-important driver’s license), and we had both a Duke student living with us and my grandmother living adjacent. Hardly “abandoned.” But still. These were the days LONG before internet, and Aldabra did not do phones.

So where is Aldabra, and what were Martha and Peter Klopfer doing there? For that I’ll turn to my parents’ Aldabra Journals, which they kept back then, written longhand, and which my dad is now digitizing one by one, a kind of 42-years-later blog. Take it away, Dad.

“Among students of animal behavior, it is commonly believed that if one concentrates ones studies on a particular species, one comes to resemble it.  Doesn’t Konrad Lorenz remind you of an arrogant gander, Niko Tinbergen of a graceful gull, and Karl von Frisch of a preoccupied honey bee?  Given such Noble [Nobel?] examples, we could be forgiven for accepting this belief and thus diversifying our interests so that, by switching from ducks to deer to damselfish, we could avoid a resemblance to the goats which had been our primary subjects.  However, insofar as the U.K.’s Royal Society was concerned, we were still goat-people, so when they and the Smithsonian decided to deal with the depredations of the goats on Aldabra Atoll, we were the ones they called.  The goat population on that isolated island had increased considerably in the past several decades and the fear was that this would adversely impact the large land tortoises, a threatened species, that shared the atoll.

We had been looking at the process by which newborn kids bonded to their mothers, a process that depended on events that were limited to a very short period of time: if bonding did not occur within 5-10 minutes after parturition it would not take place at all. We had reasons to believe these events were mediated by the pituitary hormone, oxytocin, but caprine oxytocin was not commercially available, and we were unwilling to sacrifice animals merely to obtain extracts from their glands.  But, if the goats of Aldabra were due to be slaughtered anyway, harvesting their pituitaries would be a sensible act.  The Royal Society proposed to allow this if, in return, we would document the impact of goats on the tortoises.  With Meg Gould (now Dr. Meg Burke), a doctoral student who was prepared to spend a year in the field, we agreed to undertake the task.

Aldabra is a fly speck in the Indian Ocean, some 400 kilometers northwest of the giant island of Madagascar.  The atoll resembles a flattened doughnut, 30 kilometers long, its width varying from 5 to 10 km.  Most of the interior, the doughnut hole, is a shallow lagoon that connects to the sea through three channels that dissect the rim of the doughnut, dividing it into 4 separate islets.”

Dad and Mom, ready for some serious goat-watching action

Let me take the mic back here to explain, in case you haven’t picked up on it: my dad is an academic, and both his speech and his writing tend toward the, shall we say, multi-syllabic. So let me zip through this next part to say that simply getting to Aldabra was an odyssey in itself. Starting in December of 1976, they left from L.A.–three hours after completing a marathon race!–flew to London, then Nairobi, and finally to Mahe, the main island of the Seychelles. Can you imagine how cramped and sore they must have been? Then they discovered their luggage was missing. OK, back to Dad.

“10 December. – Mahe

The day began with a desperate search for clothing to replace what was in our lost luggage, a search that was largely unsuccessful as local stores only offered sizes appropriate for the local population, who are considerably smaller than we.  But, miraculously, before the day was out, our wandering suitcase was located and we could turn our attention to confirming the arrangements for the final leg of our journey, a three day boatride on the freighter that, twice each year, resupplies the garrison on Aldabra.

The boat in question was an ancient 500 ton tub, the Nordvaer, which plies the Indian and South Pacific Oceans.  We clambered aboard and were escorted to the Captain.  “Sorry”, was how he greeted us, “my First Mate is sick and must be hospitalized.  Maritime law in the Seychelles forbids freighters lacking a Mate to carry passengers”. With the next available trip a full six months distant, we were stunned.  Somehow, in the lengthy discussions that followed, someone came upon the idea of enrolling us in the seamans’ union and then signing us on as members of the crew.  We dashed to the relevant maritime offices, signed various forms, and were officially listed as “supers” aboard the Nordvaer.  The title seemed a bit exalted to us, until, later, we learned “super” stands  for “supernumerary”, and meant we need not stand watches nor handle the engines, but at least we could ignore signs that read “no admission except for crew”.

Mom with the freighter Nordvaer

Stay tuned for the next installment of Aldabra Journals! (Or, as I like to call them, “Where In The World Are Peter And Martha Klopfer?”)

 

 

Trevor Noah’s Born a Crime: Why I Have To Say “Relatable”

Bias Alert: 

  1. Like most English teachers, I shudder at the newly-developing word, “relatable.”
  2. My family and I LOVE the Daily Show; Jon Stewart practically raised our children.

So you might not think we’d love his replacement, Trevor Noah. But you’d think wrong. We loved Trevor from the beginning (forgiving him his occasionally juvenile humor the same way we forgave Jon his old-Jewish-guy schtick).

And now that I’ve read Trevor’s memoir, Born a Crime, I admire him on a whole new levelAnd I admire his mother more.

I only wish I had finished Trevor’s book before Christmas, so I could have given it to everyone I love. I don’t want to tell you too much about it; the book is comprised of anecdotes, to divulge any of which would spoil your joy in reading.

But I will tell you this. Although Trevor claims a different nationality, gender and race (OK, half different–but in South Africa that MEANS different) from mine, I found his story more…RELATABLE than anything I’ve read in the past year. He doesn’t just write of racial injustice–though there’s plenty of that, growing up in the last days of apartheid. He writes of topics I, privileged white American female, RELATE to:

  • adolescent yearnings to belong
  • a complex relationship with religion
  • self-consciousness over appearance
  • heartbreak (over the opposite sex, pets, family members)
  • joy in his own gifts (languages, foot speed–and you’ll see why that’s important!)
  • deep, unshakable love for his AMAZING mother

The book is also really stinkin’ funny, but that’s something I simply appreciate rather than relate to, because, alas, I am not so gifted.

And it’s shockingly sad. Something else I, thanks be, cannot relate to. But Trevor makes his family’s sadness ACCESSIBLE, and that’s close enough. Also–“accessible” is a real word.

Have you read it? Please add your review here. If not, do yourself or someone you love a favor and read Born a Crime as soon as you can.

 

Watching Your Writing Role Model Strip Bare: Iris Graville Publishes Hiking Naked

If you’ve published your words in any form, you know the feeling when someone looks you in the eye and tells you they read what you published. It’s not like singing at a concert or displaying visual art. These are YOUR WORDS, your literal, expressed thoughts, straight from your brain into someone else’s. Who is about to tell you what they think.

Now imagine those words you’ve published are your MEMOIR. And imagine the people who are looking you in the eye are your neighbors, folks you bump into at the market, at the post office. 

My friend Iris’s new memoir, Hiking Naked: A Quaker Woman’s Search for Balance, could not be better titled. As Iris tells it in her latest blog post, “Baring My Soul”:

I reel a bit each time someone says something like, “I’m reading your book, and it really speaks to me.” Or, “I was right there with you.” And, “My back hurt just reading about your work in the bakery!” What stuns me is the realization that, as I go about my life each day, some number of people are reading about it. There’s an intimacy in that knowing that I hadn’t anticipated. I’m discovering that the metaphor of “hiking naked” extends to how I feel about others now reading my words.

(Courtesy Homebound Publications)

My own forthcoming book, Altitude, Book Three of the Flying Burgowski series, could not be more different from Iris’s. My book’s a novel. It’s Young Adult (although I’m finding that Older Adults seem to like it just fine). It’s fantasy–not vampires nor zombies nor dystopian archer-warriors, certainly, but hey! my heroine can fly. So, yes. Fantasy enough.

The only thing my book has in common with Iris’s is that she helped “midwife” mine, via critique, while I did the same with hers (both of us with a LOT of help, and in her case, Masters-in-Fine-Arts-level help).

Well, maybe two more commonalities: they’re both set in the northwest, and they’re both about strong females.But that’s it.

So how can Iris be my writing role model? Because she is, to borrow her metaphor, hiking ahead of me on that rocky path called publication. She started years ago, creating her own press to co-publish Hands At Work: Portraits and Profiles of People Who Work With Their Hands, with photographer Summer Moon Scriver.

Then last year she published Bounty: Lopez Island Farmers, Food and Community–which is just what it sounds like, only more mouth-watering.

But all the while, Iris was working on that memoir. Crafting and drafting, re-crafting, re-drafting; pitching, pitching, pitching; writing and submitting short pieces to increase her visibility; keeping her chin up through inevitable rejections…until one day…

You go, girl.

I am still bummed to have missed Iris’s launch party because of some silly plane tickets to Ireland. But now that I’ve heard about it, I’m totally planning to follow in her footsteps at my own launch party in November.

(Not sure who took this photo…but Iris will tell me.)

Iris introduced by her own writing mentor, Ana Maria Spagna? How ’bout Gretchen Wing, introduced by Iris Graville? 

I better ask her, huh?